Overhead mics for drummers

There’s nothing worse than buying an expensive piece of gear just to have it break after.

So, make sure that you’re getting solid microphones. That basically means that you won’t be fighting humming sounds with these mics when you’re recording and mixing.

They come with built-in switchable 20dB pads, which I’d say are essential for recording drums with.

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“Huge sound” is usually achieved from giving as much dynamic range as possible to a given element. Realistically, most frequencies in a drum pattern will not be at the very high or very low end of the frequency range, but it is still a good idea to record these frequencies if you can for a well-rounded sound.

Always check specifications though, because some models have unique voltage needs or battery operation capabilities that might surprise you.

Microphone Placement Distance

Distance becomes the silent architect of your overhead sound, determining whether you’ll capture that punchy, present drum kit or end up with a washed-out mess that sounds like it’s coming from the neighbor’s garage.

You may expect it to feel quite heavy, but you’ll be surprised when you pick it up. I know a lot of jazz guys to record drums like that, and this would be one of my top options if I had to as well.

However, you’ll get the clearest and most authentic drum sound if you buy two of these to use as a matched pair. You should check what the diaphragms are made of and see how durable the microphones are.

Drum microphones need to be the most durable mics, as there’s always the potential of you hitting them with sticks accidentally.

It’s also what makes them so easy to work with when mixing.

These microphones also do an excellent job of rejecting bleeding sounds that may come from other instruments around you.

Notable Insights

• Look for condenser microphones with wide frequency response (20 Hz – 20 kHz) to capture the full spectrum of drum kit sounds.
• Choose microphones with cardioid or super-cardioid polar patterns to minimize bleed from other instruments and focus on overhead capture.
• Ensure your audio interface provides 48V phantom power, as most quality overhead condenser microphones require it to operate.
• Consider matched pairs like the Samson C02 for accurate stereo imaging with sensitivity matched within ±0.5dB between microphones.
• Select microphones with high SPL handling capabilities and switchable pads to manage loud drum transients without distortion.

G7 7-Piece Wired Dynamic Drum Mic Kit (Whole Metal)

The G7 7-Piece Wired Dynamic Drum Mic Kit stands out as the all-encompassing solution for drummers who need complete mic coverage without breaking the bank, delivering everything from kick drum punch to overhead cymbal clarity in one metal-constructed package.

There is no problem in having a little noise and at low levels like 22 dB it won’t be noticeable.

Maximum SPL

High volume, and therefore high vibration sounds, can cause a microphone to distort.